In film and television, I use makeup as a storytelling tool—shaping characters from the inside out. Every brushstroke, blemish, or scar is intentional, crafted to reflect who they are, where they’ve been, and what they carry. My background in graphic design and Photoshop enhances this process, allowing me to visualize and refine each look with precision before it even hits the face. I think in layers—skin, texture, emotion, backstory—so no detail is ever random. Whether it's subtle aging, supernatural effects, or stylized glam, I approach each character as a full narrative waiting to unfold visually. Makeup, to me, is not just about transformation—it’s about truth.